Rough Cuts: Hatch Collective

An offshoot of our annual scratch night Hatch, Hatch Collective events are informal studio sharings designed to support the creative process. These relaxed sessions give artists the opportunity to test ideas, receive feedback, and spark meaningful conversations with local audiences.

In this first event in the Hatch Collective series, part of our year-round Rough Cuts programme, artists will share a no-frills excerpt of up to 15 mins of creation. There will be time built in to mingle, discuss the work and create dialogue in a supportive space.

Tea, coffee and informal discussion will take place in the interval. There will also be drinks and time to chat to the artists about the work after the show.
 

Please note: The artists presenting work in Hatch Collective  will be sharing  early 'works in progress'.. Because these works are still in development, we aren’t able to provide detailed content notes or guarantee that they will be free from sensitive or potentially triggering material.

Date and time
Sunday 06 September 2026
Times
4.30pm - 7pm including interval
Plus post-show drinks and discussion
Artist
Various
Location
Jamie Watton Creation Space at The Dance Space
Ticket Price
Pay What You Can (£5 suggested price)
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Pankhuri A Mehndiratta

This solo performance is an offering of Sufi Kathak—a contemporary movement practice rooted in the classical vocabulary of Kathak and inspired by the devotional traditions of Sufism. Through rhythmic footwork, meditative turning, expressive gesture and stillness, the work explores the universal human journey from separation towards connection, inviting audiences into a space of contemplation, presence and joy.

A person with dark hair tied back smiles warmly at the camera
Pankhuri A Mehndiratta

Camille Cooper and Sam Wild

‘Painted as Friends’: A captivating new duet presenting a patchwork of historical lesbian relationships. Performed and created by a queer couple, this piece honours those branded as ‘just good friends’ and lost to time. 

Two people on a spotlight stage stand facing each other. One person at the front has their back to the camera, is wearing a brown suit. The person behind them has their face close to the front person's. They are wearing a white dress and have their arm wrapped around the other persons head
Camille Cooper and Sam Wild photo credit Freddie Rainbow

Ranse Howell – Hatch alumn

In prior work, I have explored the intersection of multiple hidden identities and the impact on interpersonal relationships. This work in progress examines the role of visible identities and the assumptions and biases that are reinforced by AI and the growing technological divide.

A dancer with blue eyes wearing a navy shirt.
Ranse Howell

ITCH Dance

Sub Rosa: ITCH's new work descends into the dark architecture of the body, where trauma fractures and memory loops. Emotions linger beyond their source, haunting the spaces between what is remembered, what is buried, and what refuses to disappear.

Trigger warning - This piece will contain implicit and explicit references to sexual assault.

A person in a white top sits with their hand on their knees looking at the camera, their head tilted to the right.
Jaimée-Jett Photo credit Mark Turrel

Dermot Farrell - HATCH Alum

Still Image: A short, dream-like performance reflecting Dermot's journey with dance, and exploring breath, chaos and coming together.

A person with black rimmed glasses wearing a blue polo neck shirt
Dermot Farrell

Lauren O'Sullivan

What Words Can't Hold: A one-woman show that blends dance and poetry to form a non-linear narrative on the toll of ‘masking’.

Content warning - Strong language

A person sits cross legged with their elbow on their knee and looks at the camera, smiling.
Lauren O'Sullivan, photo credit Alexa Stevens

Ammerry Salisbury

A work in progress, Veil of Fire, explores the meeting of classical Thai dance, traditional Thai puppetry and contemporary movement. Through an encounter with Hanuman, a new movement language emerges, revealing strength, transformation and resilience.

 

Zoë Lesage 

ORANGE (a solo work in progress):

Girl becomes orange

Becomes girl

Becomes orange

A photo taken high, looking down on a person wearing an orange dress with long sleeves. Both of their hands are in the air
Zoë Lesage, photo credit Anna Lesage

Catherine Sleeman - HATCH Alum

Grind: Inspired by the rise of coffee culture and the number of young people trapped in minimum wage jobs, Grind celebrates the choreography of the everyday in this love/hate-letter to the catering industry.

An action shot of a dancer performing. They are bent down low to the floor with one hand in front of them and the other in the air above.
Catherine Sleeman photo credit Zoë Knowles
A person in a tight blue body suite stands on stage with either white paint or powder on their face.

Rough Cuts: movement in the making

Work-in-progress sharings, designed to support artists to develop their work in collaboration with an audience.

Friday 31 July - Thursday 31 December 2026
Find out more
Rough Cuts: movement in the making
A pink lit figure sits on the floor reaching one hand out to touch a bright white digital screen

Rough Cuts: The Garden

Loosely inspired by the story of Adam and Eve, The Garden flips the traditional stage experience on its head. 

Sunday 13 September 2026
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Rough Cuts: The Garden
Four woman in a room with different materials on their heads and around their necks. The main focal point is a person with dark hair wearing a jacket with purple flowers on and a white material with red polka dots on around her neck as she holds a bright orange material.

Rough Cuts: We Are Not Beautiful by WomanEwer

A sharing of We Are Not Beautiful, which is highly physical, fun, loud and bold, celebrating womanhood, survival and strength.

Friday 18 September 2026
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Rough Cuts: We Are Not Beautiful by WomanEwer
A group of six dancers dressed in black on a stage. They are standing together with their arms making a large circle together.

Rough Cuts: Femina by Ekleido

Rough cuts sharing of Ekleido's new work with a Q&A

Friday 18 September 2026
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Rough Cuts: Femina by Ekleido