Mercy
Certificate: U
Please note: The film starts with audio, in black. Also, listening with headphones is recommended.
“The hands of the dancers are the hands of my mother and sister, the hands of our grandmother, the hands of their mothers.” These words of celebrated American poet Cornelius Eady serve as an anchor for the short film "Mercy" that weaves poetry and imagery, with gesture, movement and voice into an intricate meditation on black womanhood. Eady’s eponymous cycle of poems is informed by the writing of Phillis Wheatley, the first enslaved person in the American Colonies to publish a full-length volume of poems.
The poetic short, directed by Philip Szporer, voices issues of race, place, and identity, and dives into the double-voiced discourses of a particular Black literary tradition concerning the complication of the slave learning their captor’s language.
Two celebrated dance artists, Angélique Willkie and Amara Barner, embody the poetry through the power of their presence.
Credits
Writer and Director: Philip Szporer
Movement Director: Ami Shulman
Movement Creators and Performers: Amara Barner and Angélique Willkie
Camera and Editor: Pablo Córdoba Salcido
Music Composer and Sound Designer: Devon Bate
Colour Grading: Arto Paragamian
Producers: Marlene Millar & Philip Szporer, Mouvement Perpétuel